NEW RELEASES
"Sono Stonato," Frederic Tuten, 2024
Silkscreen on 320 gram Coventry Rag paper
Dimensions: 24" x 30"
An edition of 25
Signed by the Artist in pencil
Published and printed by Gary Lichtenstein Editions
IN THE STUDIO
"Smokin' Hot," Caryl Hull Leavitt, 2024
Silkscreen on 320 gram Coventry Rag paper
24" x 30"
Edition of 25
Signed by the Artist in pencil
IN THE STUDIO
"Four Directions,"
Jonathan Villoch, 2024
Silkscreen on 320 gram Coventry Rag paper
Dimensions: 20" x 28"
Signed by the Artist in pencil
Published by the Artist
Printed by Gary Lichtenstein Editions
Monoprint
See the entire suite of new monoprints here.
IN THE STUDIO
"3 Seasons," Carly Glovinski, 2024
Silkscreen on 320 gram Coventry Rag paper
Dimensions of each print: 24" x 32"
Signed by the Artist in pencil
Published by the Artist and Morgan Lehman Gallery
Printed by Gary Lichtenstein Editions
An edition of 30
Prints are sold individually or as a triptych
See all three prints in the set.
IN THE STUDIO
IN THE STUDIO
"Patti on the Phone,"
Marian Schwindeman, 2024
Silkscreen and mixed media on 320 gram Coventry Rag paper
Dimensions: 32” x 39”
A suite of 7 monoprints
Signed by the Artist in pencil
See the full release of Marian Schwindeman's prints here.
"Golden Light Pouring Through,"
Lois Blood Bennett, 2024
24 x 34 inches
Silkscreen on 320 Coventry Rag paper
Hand signed in pencil by the artist
Edition of 15, 3 APs, 2 PPs
Signed by the Artist in pencil
See the full release of Lois Blood Bennett's prints here.
IN THE STUDIO
"La Oferta/ The Offering," Victor ‘Marka27’ Quiñonez, 2024
Silkscreen on 320 gram Coventry Rag paper
Image: 24 x 18 inches
Paper: 29.5 x 23 inches
An edition of 40
Signed by the Artist in pencil
This limited edition silkscreen print is based on an original painting created during Marka27's artist residency at MASS MoCA. During this time Marka and Gary Lichtenstein bonded over Mexican muralism, street culture, and contemporary art. A collaboration was inevitable and both Gary and Marka knew their love for experimentation, silkscreening, and Mexican culture was a recipe for something truly special and authentic.
IN THE STUDIO
IN THE STUDIO
This piece is inspired by predictions made in 1981 by 31 graduate students at the University of Houston who were studying future trends. Their research aimed to explore the societal impacts of achieving immortality through medical advancements. For this work, I focused on one specific prediction about personality traits. I merged the written language of this prediction with a pattern system of my own invention, correlating the visual structure with the linguistic framework. The work contains a numerical coding system, mirrored at the start and end. I'm interested in patterns of language that embody humanity's desire to foresee the future -- how does the feeling of the future manifest in words on a page?
- John O’Connor
"1964 to 2030," John O'Connor, 2024
Silkscreen on 320 gram Coventry Rag paper
Dimensions: 23" x 29"
An edition of 50
Signed by the Artist in pencil
IN THE STUDIO
"REALNESS REQUIRES ACTUAL WORK,"
Al Diaz, 2024
Silkscreen and hand embellishment on 2ply Museum Board
Dimensions: 30 x 39.5 inches
A suite of three monoprints
See the full suite of monoprints here.
IN THE STUDIO
"John Lennon, Fillmore East, NYC, August 1972," Bob Gruen, 2024
Silkscreen on 320 gram Coventry Rag paper
Dimensions: 16” x 22 ½”
An edition of 50
Signed by the Artist in pencil
In 1972, John Lennon and Yoko Ono conceived a concert at Madison Garden called “One to One.” It was a benefit for the Willowbrook State School in Staten Island, a facility for mentally and physically challenged children. John, Yoko and Elephant’s Memory were headliners along with Stevie Wonder, Roberta Flack and Sha Na Na. Rehearsals were held at the famed Fillmore East in NYC and on one August afternoon, Bob captured this thoughtful shot of John on the stairs to the dressing room. There is something very quiet… very reflective about this moment in time… one that precedes what would be John’s last full-length concert performance in New York City.
Bob Gruen met John Lennon in 1971, shortly after he moved to New York. For the next nine years, Bob worked as John’s personal photographer and captured a wide variety of diverse moments in John’s career and in his family life. Bob and John became friends and the strength of that friendship is visible in every photograph that Bob took.
